SIENNA'S DREAM
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HARMONY & RAGE
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THE REAL STORY
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Reviews
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"…The servants Giulio and Simonetta are fetchingly done by Curtis Billings and Amanda Tudor."–Susan Hood,
“Hartford Courant.”
“…Curtis Billlings and Amanda Tudor do well as Italian servants who [express] that in the face of death, life and love go on.”–Frank Rizzo, “Variety.”
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“…Jason Loughlin and Amanda Tudor as Ferdinand and Miranda, whose scenes together are earnest, sweet, and endearing”–Brad Lee Thompson, “NYtheatre.com,”
The Tempest
The Milktrain Doesn't Stop Here Anymore
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"Amanda Tudor as Lisa is smart and perceptive, direct in her comments and passionate in her support."-Deb Miller, "DC Metro Theater Arts."
The Reckless Season
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“The cast flits in and out of roles at breakneck comic speed. There are clear clown and commedia influences in this production and the cast ably performs some rocking '80s tunes to great effect [...] Twelve Nights has a strong script and a top-notch cast. It's a lot of fun to be sure. “theatreiseasy.com,” Amanda LaPergia.
“Playing Olivia, among others, Amanda Tudor tackles spoiled brat head on. Tudor naturally eases into the love triangle [...] Sean Graney's Twelve Nights, a jam packed, high energy, four person retelling of gender-bending love and miscommunications all with an obsession for mixtapes [...] The foursome of actors do a great job at keeping the action moving and the comedy non-stop. “theatreinthenow.com,” Michael Block.
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"Tudor’s Ellen never misses a beat, topping it off with a final monologue that will leave audiences breathless."-Melissa Lin Sturges, "Washington City Paper."
"When Tudor as Ellen lets down her mask and reveals her truth, it’s chilling."
-Patrick Folliard, "Washington Blade."
“…I cannot write another word without saying the acting was INCREDIBLE (…) these extremely talented ladies chewed it up and turned it into something powerfully relatable. Tudor plays Brutus with a quiet intensity, who is so consumed by doing right by Rome and removing ambitious Caesar, she's blind to the fact her desires are actually driven by her own ambitions. As the play unfolds, her quiet intensity turns into a roaring lion whose own ambitions rage out of control”–Julie Feltman, “TheatreMania.com.”